google.com, pub-5063766797865882, DIRECT, f08c47fec0942fa0 Ancient Egypt Facts: Ra Phoenix For Kids, Nile River, Gods, Maps and Pyramids
Showing posts with label Ra Phoenix. Show all posts
Showing posts with label Ra Phoenix. Show all posts

March 11, 2012

Ra God and the Phoenix

The Ra - Sun God - and the Phoenix
Sacred at Heliopolis, the phoenix was a mythological bird based on the wingtail or the heron. It was specially attached to Ra God because it seemed to mimic the sun rising from the water when it took flight. Its Egyptian name (for “phoenix” I is Greek) was bennu, which was derived from a word meaning “to shine” or “to rise.” It was depicted with a long straight beak, graceful body, long legs, and two lengthy feathers falling from the back of its head. In the Coffin Texts the dead person viewed himself as rising like the phoenix: “I am that great phoenix that is in Annu, the supervisor of all that exists.”

The Phoenix - fenix bird
Elsewhere the texts associated the bird with Osiris or Horus since these gods and the bird existed for eternity. In the Book of the Dead there was a spell for helping the dead become the bennu bird: “I flew up as the Primeval God and assumed forms...® I am Horus, the god who gives light by means of his body.”

The most elaborate discussion of the J phoenix bird, however, is seen in Herodotus, who had some strange ideas that have become the conventional concept of the bird, even though they do not seem supported by Egyptian texts:

They have also another sacred bird, which, except in a picture, I have never seen; it is called the phoenix. It is very uncommon, even among themselves; for according to the Heliopolitans, it comes there but once in the course of five hundred years, and then only at the decease of the parent bird. If it bear any resemblance to its picture, the wings are partly of a gold and partly of a crimson color, and its form and size are perfectly like the eagle. They relate one thing about it that surpasses all credibility: they say that it comes from Arabia to the temple of the sun, bearing the dead body of its parent, enclosed in myrrh, which it buries. It makes a ball of myrrh, shaped like an egg, as large as it is able to carry, which it proves by experiment. This done it excavates the mass, into which it introduces the body of the dead bird; it again closes the aperture with myrrh, and the whole becomes the same weight as when composed entirely of myrrh; it then proceeds to Egypt to the temple of the sun.

These and other classical myths concerning the bird appear to be misreadings of the Egyptian concept. In Egypt the bird did not achieve immortality through periodic renewal, but it was seen as a symbol for the sun, which did rise-like the bird-each day from the waters to the east. Perhaps the clearest Egyptian use of the bird was in the Book of the Dead where, as a sign of rebirth, it was beautifully depicted in the vignettes.

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March 2, 2012

Egyptian Ra God of the Sun Part 2/2

Even in pain Ra God recognized a trick; his answer was a devious attempt to give her his names without revealing the ultimate secret:

Ra God of Ancient Egypt
I am the maker of heaven and earth,
I am the establisher of the mountains,
I am the creator of the waters,
I am the maker of the secrets of the two horizons.
I am light and I am darkness,
I aim the maker of the hours, the creator of days.
I am the opener of festivals,
I am the maker of running streams,
I am the creator of living flame.
I am Khepri in the morning, Ra at noontime, and Atum in the evening.

Isis heard all the words, but knew that he had not given her what she wanted. She remained quiet and let the poison work a little more on his old body. She realized that he had not revealed the secret name; the names he had given her were known to many mortals and gods alike. This information could hardly increase her Power. When the pain became more intense, she finally spoke: "Your name, your true name, your secret name, was not among those. Tell me your name in order that the poison may be driven out of your body, for only he whose name I know can be healed by my magic.”

At this moment the pain grew worse and Ra God realized that the time had come to give up something of him in order to find peace. He took Isis aside where the others would not hear and the two began to bargain like merchants in a bazaar, but Ra God was in too much pain to bargain well. Isis demanded that he take an oath to give Horus, her son, his two eyes the sun and moon.

He agreed and whispered the secret name. She was faithful to her bargain and issued the proper cure to relieve the pain: “Depart, poison, go forth from Ra God. 0 Eye of Horus, go forth from the god and shine outside his mouth. It is I who work; it is I who make the vanquished poison fall down upon the earth, for the name of the great god has been taken from him. Let Ra God live, and let the poison die! Let the poison die, and let Ra God live!” She, of course, never revealed the secret name since she had no desire to share her new-found power with anyone else, and so this special name remains hidden from all mortals and gods to this day. Isis finally did not use the power for her own sake, but to increase the power of her son.

Horus replaced his great great-grandfather as the sun god once he had the eyes for his own use. The Eye of Ra God became the Eye of Horus and the elderly god was given a graceful retirement in which he was revered as the creator of all things but did not have daily responsibilities.

Among many early societies it was thought that the real name of a person or god was essential to their existence. This name was the key to their being, for without a name nothing exists. To know the name was to have power over the creature, and the myth of Ra God and Isis was told to illustrate the importance of keeping one s true name secret, or at least reserved for special occasions. Mi accordance with this belief, ancient Egyptian kings always had several names. One of them would probably be compounded with name of a god and would be used only in religious context monuments.

The cartouches of the kings, therefore, may reveal several names, one being reserved for religious purposes. In connection with this myth, too, we may note that the Egyptians did not think of their gods as creatures who freely gave of themselves to the human beings for whom they were responsible. Their gifts-eternal life, for instance-had to be exacted by force, and it was therefore necessary for mortals to gain some sort of power over the gods in order to obtain unusual blessings. One way to this power was the secret name.

This myth has survived in two papyri, one at Turin and the other in the British Museum. The one at Turin, which has been translated by M. A. Murray and E. A. Wallis Budge, dates from the Twentieth Dynasty (about 1200-1085 B.C.). The version given here was based on Murray’s, but it has been modernized and references to Budge’s version have been used to expand it.

This tale was originally told to illustrate the value of curses against serpents, and the text presents magic formulae to cure snake bites. The magician was probably supposed to recite the tale in the hope that the words of magic which could cure a god would have the same effect on the human patient. The original text tells us that these magical spells were to be spoken over images of Atum, Horus, and Isis in order to cure the stricken person of the serpent’s poison.

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